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Carmen, Carmen
Adria Firestone, The Queen of the Palace of Bellas
Artes.
Reforma, Mexico City 22 July
'97
Her performance should
start to be ranked as definitive.
The Australian, Australia
(on Firestone's performance of Carmen)
Firestone
in the role is an "increadibly rare phenomenon" of a singer combining
theatrical ability with musical precision. He compares working with her
to the exhilaration directors must have felt working with Maria Callas.
"It is one of the most extraordinary performances I've ever seen".
The Australian, Australia (Keith Warner, UK director,
on Firestone's Carmen)
She
brings with her a reputation as one of the world's great Carmens and it
is hard to imagine a better performance than hers.
The Courier Mail, Australia
Adria
Firestone enters the arena... The premiere on July 20, 1997 in Bellas
Artes was a total success... Best of all was the performance of the USA
mezzo soprano, Adria Firestone as Carmen. The singer showed herself to
be a complete artist; in addition she is the possessor of a large, resonant
voice, with body. During all of the opera she beautifully adorned the
character with her dramatic and vocal gifts... The public gave an ovation
to Firestone, who took the afternoon and converted it into the unforgettable.
El Economista, (Erick Zermeño Morales) Mexico City
22 July '97
Adria
Firestone made of Carmen a history of love sung with a voice of fire...Of
fire also was the ovation that the mezzo received from the public that
filled the theater (Palacio de Bellas Artes) on Sunday afternoon. An applause
that not ony acknowledged the singer, but also the actress and the dancer
that come together in this American and that makes her interpretation
of Bizet's gypsy inhibit the fiction of the drama.
Reforma, Mexico City 22 July
'97
She
snarls and stalks, she flits down three levels of scaffolding for her
first entrance. She sings with power held in reserve to satisfy the demands
of the last act. When imports deliver goods of this calibre, long may
they mark the bench.
The Bulletin, Australia 10
Oct '95
A
Wild New Carmen Firestone Gives Staging Its Flair.
Los Angeles Times, USA April
'92
Slim,
with thick, curling black hair, her presence on stage was felt immediately.
Firestone's voice was big, lustrous and dark, with plenty of power and
rich, even tone from top to bottom.
Newsday, New York USA
Spoleto,
Italy - This year's festival of Two Worlds included an often disconcerting
Carmen, memorable for Adria Firestone's infinitely provocative performance
of the title role...
Opera News, Nov '95
The
key to the unfolding of Spoleto's Carmen is mezzo-soprano Adria Firestone...who
offers a memorable interpretation. Homogeneously velvet-voiced, very attractive,
raven-haired - this singer, who knows how to dance and play the castanets
very well, demonstrated with sure, undulating steps all of the sensuality,
cruelty, fragility, knavery and the profound lust for freedom that composes
a character both complex and fascinating. The result is that it is very
difficult to conceive of a protagonist better suited to a production of
Carmen that insists on "crazed love" and that continually emphasizes
this character...as if she walked right out of the libretto.
El Pais, Spain '95
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